Yellowday is a feature length production about a young man searching for his lost love, and crosscuts live action footage with full CG animation to tell its story. We delivered roughly 25 minutes of animation, around 100 shots, and the project proved to be one of our most rewarding. By the time Executive Producer G. P. “Jeff” Galle shared his vision with us, the live-action portion had already been shot and a rough-cut had been produced. We were tasked with creating the digital portion of the story, bringing CG characters to life in a re-imagined version of the real-world location featured in the film, Camp Grace.
Presenting our latest work with our friends at Sesame Workshop: Crumby Pictures, starring Cookie Monster! We’ve been hard at work over the past several months creating backgrounds and visual FX for the series, our third with Sesame so far. The Muppet characters are great vehicles for parody, and with Crumby Pictures we get the opportunity to create spoofs of some of our favorite films. Below are a few that we can show you. We’ll keep you updated as new episodes are aired.
We’re all about sharing our work. Here’s one of the latest spots to hit the air from our collaboration with the Center for Disease Control. Take 30 seconds to check it out below!
Revolution Pictures‘ visionary director and FX artist Roman White trusted Magnetic Dreams for Five for Fighting’s new narrative music video “What if”. From concept, to animation and render, our main imperative was to bring to life a small robot through 64 shots ( with crazy deadlines, but that is a given). We must have done something right, because this is what John Ondrasik has to say:
“Roman White’s ‘What If’ video is my favorite of all Five For Fighting videos. It is a wonderful film that touches on love, mortality, and the little robot in all of us…”
The video premiered on Ryan Seacrest’s website.
copyright © 2013 Wind-Up Records
Rollingstone.com posted this video in which Dave Mathews and Grover sing about the feelings they’re feeling. (We helped them visualize those feelings. )
Kristy Kay and Ed Nash approached us recently to create a proof-of-concept for a potential series, “V.I. Princess.” They provided the concept and dialog performance, and we created the visuals. This 4-min piece was especially fun for us, as it let us use some new tools in the lighting and rendering department. These gave us great results that would have been more difficult to achieve otherwise.
Well, the video has been out for a few months now, but we thought we’d share it with you anyways. Taillight TV solicited Magnetic Dreams help for Tim McGraw’s Highway Don’t Care music video directed by Shane Drake. Our job was to integrate Taylor Swift into reflections on the car’s windshield as well as adding Swift and Keith Urban back into broken pieces of mirror on the ground. Even though we had a limited amount of shots to work on, it was a nice project to contribute to, and we’re proud of the final result.
Here are a few image and the clip below:
Awesome news indeed!!!!We don’t know how we didn’t get around to telling EVERYONE about it, but this summer Magnetic Dreams was honored by winning a National Emmy Award for “OUTSTANDING ACHIEVEMENT IN MAIN TITLE AND GRAPHIC DESIGN” for Sesame’s Elmo the Musical show open.
Rickey Boyd, Creative Director - Graphics
Michael Lapinski, Art Director
Rhea Borzak, Compositor
Andrew Atteberry, 3D Animator
Julian Herrera, VFX Supervisor
Wow, something crazy is happening at Magnetic Dreams! This will be our third post in less than a month! No, your eyes aren’t lying to you, this is for real. Anyways, Don Culwell, our Exec. VP and in-house specialist of all things software, has treated us (well…mainly you) with a Softimage tutorial. If you find it helpful, give us a “Like”!
The music video cuts between movie clips and Colbie and Gavin clips. Most of it was shot on green screen, and Magnetic Dreams was tasked to recreate environments based on the Safe Haven sets, but with a surreal touch to them. We explored some new techniques, which enabled us to do 90 percent of the vfx in compositing, knocking out 94 shots in under two weeks!
Here are a few before/after shots, and a link to the video.